The Digital File Dance – Organizing Your Photos

Contributor Articles

Whether you are a professional photographer, a hobbyist, or a parent who simply takes way too many photos of their kids, one thing is certain – you have gazillions of precious pixels living somewhere on your computer and need a easy way of keeping it all organized.

Digital photography is fantastic because you can take as many photos as you wish. Especially with us trigger-happy documentary photographers – it’s completely normal to take a few hundred shots in just one afternoon.

In my opinion, photographers need to be prepared to deal with these images before ever touching the shutter button. Otherwise the thrill of capturing the world as you see it through your lens can quickly become a time-consuming chore.

When I received my very first point and shoot digital camera 13 years ago it didn’t take long to figure out that the files can’t all be copied and stuck into a singular folder because the camera assigns each file the same name by default (eg. IMG_####). So at IMG_9999 the counter resets and you don’t want a duplicate or – heaven forbid – overwrite the original IMG_0001. Besides, when you stick everything into one folder, it is a headache to scroll through so many pictures to find the one or series of photos that you want. (Please don’t put everything in one folder on your desktop. Pretty please.)

Fast forward to today and I can go back to my son’s Kindergarten graduation or our trip to the cottage with friends last summer in an instant.

It’s been a process to implement a reliable system. I’m not sure how I stumbled upon this particular structure but I’ve refined a few different ideas and tricks from all over the place until something finally worked for me. Many mistakes were made along the way.  I’ve learned the hard way that folders with random naming conventions containing valuable images of adorable toddlers always end up lost in the shuffle if you don’t have a solid system in place.

Told ya. Insanely adorable toddlers circa 2006.

Fast forward to present day and these two dudes and their little brother need photos for school projects quite often. My overall goal was clear: if someone in our family wanted to find a photo of a particular event or time, I wanted them to be able to find it on our computer without having to ask for my assistance. A logical and simple folder structure is the answer when dealing with a plethora of photos.

There are a number of helpful tools available to achieve photo organization success; I happen to use Lightroom and import my personal images directly into one catalog.

I have all photos sorted in yearly folders within PHOTOGRAPHS at the top of the hierarchy. You can keep the default ‘My Pictures’ or ‘iPhoto’ folder created by your computer, but I like having the PHOTOGRAPHS folder because it is distinct and I know that’s where I have all of my photos. (I use a PC and the default setting is to store photos downloaded from the Internet into that same system-designated My Pictures library. That’s another big reason that I prefer keeping all my personal images separate.)

When you look in folders for each year there is another set of folders broken down into months with a number in front (ie. 02-February). Placing the ’02’ in front of the month name is key because that helps keep it all in chronological order. (Otherwise you have April next to August and that’s when things just get ugly. You may as well just throw in the towel now.)

Once upon a time I did just keep the photos separated by specific date within the monthly folders but it quickly created confusion. (As much as I told myself I was organized, I still couldn’t find what I was looking for in a jiffy, much less have someone else try to find it.) You have no clue what photos are lurking inside when you see ‘2007-07-02’, ‘2007-07-06’, ‘2007-07-13’ and so on.

However, when you name it something more descriptive like ‘Visit to Grandma’s House’, ‘Playing in the Sprinkler’, and ‘Jumping on the Bed’, there is no question what types of photos are awaiting you inside those lovely folders.

Here’s a peek at my system at work in Lightroom: all of my photos within each Year – Month – Description all happily living under the parent folder, PHOTOGRAPHS.

See that — I have more than 130,000 images in my PHOTOGRAPHS folder just from 2009!

NOTE: I’ve seen many suggestions of giving the folder a description + the date, but I feel the extra typing is not necessary because a) I already know the year and month right off the bat by looking at the folder structure, and b) I rename my files with the date so it’s right there when I see the photos. The date is also embedded in the metadata. There’s a point when you hit date-reference overload here folks.  😉

Which brings me to renaming individual photos within Lightroom. People, it is a cinch to rename the files as they’re being imported so failing a good folder system, at the very least please rename your files. I always rename mine using a date_description_sequence convention to ensure that no two files will ever be the same.

Now that I have been successfully using this fool-proof system for at least six years, I can honestly say that I never dread dealing with the thousands of image files that make their way to my hard drives. 

It’s also relatively easy to go back through the archives and implement this folder structure on all of my failures from 2004 and on. Before working your way back, always make a backup copy of everything before attempting to re-organize your older images.

What I’ve noticed is that keeping on top of this system gives me more time to get out and shoot and then do cool things with the data after the upload and edits are complete.

That’s the whole point of this photography thing anyway, right? Whenever I want to make prints or pick images for a photobook, the hardest part is selecting which photos I want to send off to the printer yet barely any time is spent sifting for the actual folder containing the sought-after images.

After all, seeing your photos on the screen is one thing, but bringing them to life is what is most important!

 

 

 

kids running around mother - Documentary Family Photography

Facebook Community Post – March

Facebook Community Posts

Thank you so much for all your March submissions!  We loved seeing all your documentary family favorites. This month’s top honor goes to Jessica Byrum Photography. Make sure to stop by her page, and the pages of all our Top 5 artists to check out more of their wonderful work.

kids running around mother - Documentary Family PhotographyJessica Byrum Photography

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kid shoveling Snow - Documentary Family PhotographyLily J Photography

mom folding clothes - Documentary Family PhotographyFour Dots Photography

kids painting -Documentary Family PhotographyTravelling Mumma Photography By Brooke Alderson

kid plays on phone - Documentary Family PhotographyStacey Ilyse Photography

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To see your photo here next month post your favorite documentary family images directly to our Facebook timeline. A new feature we will have starting next month is a round up of our favorite images from our Instagram feed! Use the hashtag #shamoftheperfect for a chance to be featured on IG.

Featured Session – Katrin Küllenberg

Featured, Featured Session

Katrin Küllenberg is a mother of four and a family & wedding photographer based in Germany. As her children grew older her photography business began to play a larger role in her day to day and, although she started her business as a documentary wedding photographer she found that shooting families was still her favorite thing to do. She says she found it “very exciting to come into close knitted families and discover how they interact, what are their roles and relationships among each other, to see how they tick.” She also states that her goal as a photographer is to help her clients “discover themselves, to notice the familiar but also find out something new.”

Today we are featuring a few images from one of her sessions, but you can check out more of her work on her website, Facebook, and Instagram.

mother struggles to feed baby - Documentary Family Photography

Carrie: I love the idea of wanting your clients to discover something new about themselves through your photography. Can you give us an example of this that perhaps a client has shared with you after they viewed their photos?

Some clients told me that the images make them see their family from an outsider’s point of view. I show them a lot of special moments they have been taking for granted but now those seem like a precious gift that they tend to value more.

Especially parents with several children suddenly notice the special characteristic traits of each kid and his/her standing in the family, things they sometimes failed to see in their everyday routine.

kid with toy lawnmower - Documentary Family PhotographyErika: I love the unconventional crops you choose to submit. Are you generally setting up the compositions in camera or are they more a decision in post?

When I started with photography I tended to crop a lot in post but after all those years now I hardly ever need to. I compose in camera and slightly adjust my angle while shooting. I control results directly on my LCD and have noticed that not having the camera in front of my eye the whole time also frees my vision. I check my monitor but also register what is happening outside the range of my lens. I usually know what I am looking for in an image but I think that only comes from experience, meaning you have to practice a lot.

girl has quiet moment - Documentary Family PhotographyLisa: You’ve captured great quiet moments. I myself am drawn to those as well. How do you approach a family that is more chaotic and less quiet?

Chaos is growing with the number of kids in a family. I love photographing big families where a lot is happening. I have four kids myself so I am used to it. For me the problem is rather that one tends to concentrate on the kids who put on the show. Lively kids are easy for a photographer, you just have to follow them and you can be sure something wild or weird will happen. I try to get close to the action even when it is getting rough sometimes, but in general, chaos is perfect for the photographer. You don’t have to think a lot about what you are doing – great moments are happening and you just have to capture them with your camera.

But I sometimes really have to force myself to give due to all the kids in a family. There often is a quiet one who prefers to stay apart, to read or draw and for a photographer this can be “boring” visually. But this is important stuff, too, as it shows the character of that child. So, for me, it is far more demanding to render those moments in a profound and creative way, to show the beauty of a quiet moment. In those situations it is very important that you know how to compose an image and not just simply snap a picture and be done with it.

kids work on puzzle - Documentary Family PhotographyChrystal: I noticed you used a lot of lenses. Are you typically switching lenses throughout the session or do you stick with a favorite for the majority of the time?

I usually have six lenses and two cameras with me. I mostly use prime lenses indoors when there is bad lighting and take my two zoom lenses (12-40mm and 40-150mm) when we are outside. I noticed that inside the house kids don’t mind you being close to them but when they are playing outside they want to run around and be on their own.

My favourite lenses are my 12mm, 17mm and 25 mm ( that means 24mm, 35mm and 50 mm fullframe). I know, this does not sound like a great variation but depending on the rooms I am working in a change in lenses can sometimes be crucial. Standing in a tiny bathroom with four other people will have you coaxing the most out of your 12 mm whereas a big living room can leave you happy with your 25 mm.

baby pulls mother's hair - Documentary Family PhotographyAniya: Love this session. I see your patience in the images, and I can imagine you waiting quietly for moments. I also see that you make moments when your subjects are completely unaware of you and you use elements to frame and shoot through (the flowers and the kiddos playing, and then the glass framing the little girl reading).

But on the flip side, you aren’t afraid in anyway to get extremely close, as seen where the mom is feeding her son, and then the son is pulling moms hair?

Do you prefer one way of shooting over the other? Are you equally comfortable getting close to your subjects and keeping your distance, and how do your clients feel about you getting right in there?

Often I only notice how close I have gotten to people when culling my images. During the session I do not feel uncomfortable and my clients tell me they didn’t either. My advantage is that I am using a small camera. I am working with the Olympus OMD – EM 1 and use the tilting LCD a lot. I can see the image live on the monitor, adjust the composition, light, focus, etc. and so it is not my full face that is close to the mom and kid but just the camera. I think this helps me a lot not to physically cross certain lines of privacy. When I am witnessing a quiet moment, e.g. the mother trying to put her baby to sleep, I switch the camera into silent mode though risking more shutter shock.

I usually stick to one position for quite some time to see how a moment will work out before changing position, so I am not running around hectically but try to change my position rather slowly.

I love getting real close, especially when parents are cuddling their kids but sometimes it will take some time for the kids to adjust to it. The mothers know not to look into the camera but a lively two-year old will often try to put on a show for the camera. I never tell them they should stop it but I simply switch to silent mode and not gratify their behaviour with a “click”. That way they quickly lose interest in me and get on with what they were doing in the first place.

But I want to show all aspects of my clients’ lives so I also step back a lot to show more context: the place they live in, people interacting with each other. And, of course, during the course of a whole day, there are times when not much is happening. That gives me the opportunity to look for interesting angles and compositions which otherwise might get lost in the action.

father brushes kids teeth - Documentary Family Photography*****
Want information on how you can be a featured artist? Check out our submission page for all the details.

IG Community Post- February

Instagram Community Posts

Welcome to month two of our new feature from our Instagram community! Keep on hashtagging your documentary family images to share. This month’s top honor goes to Lindsay Marie Photos. Make sure to stop by her page, and the pages of all our Top 5 artists to check out more of their wonderful work.

@lindsaymariephotos

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@youmakemeincredible

@jadeandkylephotography

@wild.willful

@anais.james

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To see your photo here next month post your favorite documentary family images using the hashtag #shamoftheperfect for a chance to be featured on IG! And don’t forget to also share your images on our facebook page too!